Vasulka steina woody. Along with his colleague and life companion, Steina, Woody Steina was born in Reykjavik, Iceland in 1940. Woody Vasulka states that it is society who determines whether someone is an artist rather than the artist. Woody Vasulka developed the concept for this piece, while Aaron Davidson and Thomas Ashcraft looked after the technical design, research and production. May 27, 2016 · Steina, with Jeffrey Schier and Woody Vasulka. In cooperation with the Vasulka Kitchen Brno and the Vasulka Foundation Vasulka. Since this site couldn't accommodate the growing number of people drawn there, the couple began looking for a space to meet the needs of an emerging community of video In 1974 Woody joined the faculty of the Center for Media Study at SUNY, Buffalo, and there developed "The Vasulka Imaging System," a personal imaging computer facility . Haller Steina and Woody Vasulkas Circuit Riders By Robert A . The Dec 11, 2022 · Steina & Woody Vasulka: Video Works. p. The Commission By Woody Vasulka. [4] The couple met in the early 1960s and moved to New York City in 1965, where they began showing video art at the Whitney Museum and founded The Kitchen in Woody Vasulka was born on 20 January 1937 in Brno, Czechoslovakia [now Czech Republic]. Steina Vasulka prefers the term digital artist, perhaps, but neither of them believes they are artists. This “electro-optical mechanical environment’ is how Jan 6, 2025 · And that’s not to mention the fact that Steina and her late husband, the artist Woody Vasulka, founded the Kitchen, which remains the go-to art space for media and performance art in New York. Woody Vasulka was born in Brno, now in the Czech Republic and trained as an engineer before studying television and film production at the Academy of Performing Arts in Prague Steina and Woody Vasulka fonds Selection of works by Steina and Woody Vasulka The Vasulka Effect is a documentary portraying the life and work of pioneers of video art Steina and Woody Vasulka. Since 1969 he has been working primarily with the new medium of video researching the structures of the electronic image. ‘Matrix II‘, Woody Vasulka, Steina Vasulka, 1974Rehearsal of ‘Set and Reset’ at Trisha Brown’s Loft, New York, USA (Building Tapes) Steina, Woody Vasulka Matrix I 1970–1972 Woody Vasulka Vocabulary 1973 Steina, Woody Vasulka Golden Voyage 1973 Steina, Woody Vasulka Home 1973 Steina, Woody Vasulka Telc 1974 Woody Vasulka Explanation 1974 Woody Vasulka The Matter 1974 Woody Vasulka 1987, 36' Interprete: Daniel Nagrin Grande affresco clettronico (e net contempo omaggio al-la memoria visiva e audiovisiva tradizionale, dalla foto-grafia al cinema), Art of Memory assembla in un percor-so dalle molteplici direzioni le rivoluzioni, le utopie, le guerre di questo secolo. Nov 9, 2017 · Steina and Woody Vasulka have taken good care of their legacy and preserved all data concerning their art and work. Born in Iceland and trained as a violinist, Steinunn Briem Bjarnadottir (Steina) is a major figure, considered legendary, in the field of electronic and video art. ` 1970-72 Steina and Woody Vasulka Matrix is a series of multi-monitor works that explores the relationship of sound and image in electronic signals : sound as generated by the electronic image ; sound that creates an image ; and sound and image created simultaneously . Steina (born 1940, Reykjavík) and Woody Vasulka (born 1937, Brno) are pioneers of electronic and digital image production. The exhibition is made possible by a generous grant from the National Endowment for the Arts, a Federal agency. Steina and Woody married in Prague in 1964, and shortly thereafter she joined the Icelandic Symphony Orchestra. Sometimes she records the ground track in reverse motion, which, in her musical terminology, "breaks the line" (the linear progression) and makes it "In the first closed-circuit audio/video performances of Violin Power (1970 to 1978) the primary effect observed was the actual movements of the bow on the s This is raw footage for ¡Colores! #1913, it includes close-ups of Woody and Steina Vasulka who consider themselves to be video makers rather than artists. Left exposed to the natural elements for many years by Vasulka, he later scanned, enlarged LUCINDA FURLONG: Article 2 Notes Towards History of Image-Processed Video Steina and Woody Vasulka Afterimage, December 1983 Steina Vasulka was born in Reykjavik, Iceland in 1940. Steina, a trained musician born in Iceland, and Woody, a Czech filmmaker, married in 1965 and emigrated to New York City. , b&w After acquiring their first video portapak, the Vasulkas, like other early video practitioners, took their camera to the streets to document the counterculture life in the late 1960s and early 1970s . Standard-definition video (black and white, sound), one to sixteen cathode-ray tube monitors. Steina Vasulka (born Steinunn Briem Bjarnadottir in 1940) [1] and Woody Vasulka (born Bohuslav Vasulka on 20 January 1937 [2] – 20 December 2019) are early known figures of video art. From 1959 to 1963 she received a grant from the Czechoslovak Ministry of Culture to study, as a violinist, at the Prague Conservatoire. After graduating, Steina joined the Iceland Symphony Orchestra, and when she and Woody moved to New York City in 1965, she found work as a freelance musician. By Chuck Stephens. In "The West" Steina and Woody Vasulka explore the ancient and contemporary records of mankind's actions on the desert landscape in Now Mexico . Morris/The New York Times The Vasulkas met in the early 1960s in Prague . cit. org - VasulkaarchiveWorks by Steina Works by Woody Catalogues Video Work The Kitchen 1971-73 Vasulka Archive Sitemap We use our own and third-party cookies to personalize your experience and the promotions you see. The same year she married the Slovak Bohuslay Peter (Woody) Vasulka (born in Brno in 1937, who had qualified as a documentary film-maker Dec 21, 2019 · Back in the 1960s, when Woody Vasulka and his wife, the artist Steina, began experimenting with video technology, there was an assumption that, when people watched films and TV shows, they were Steina and Woody Vasulka: Machine Media is co-organized by Robert Riley, SFMOMA curator of media arts, and Marita Sturken, independent curator and assistant professor, Annenberg School for Communication, University of Southern California. 4 days ago · Find tickets & information for Resonant Memory: Works by Steina and Woody Vasulka. 11n 1971, she and Woody founded The Kitchen, an electronic media theater in New York City. She studied violin and music theory, and in 1959 received a scholarship from the Czechoslovak Ministry of Culture to attend the State Music Conservatory in Prague. She studied violin and music theory, and in 1959 she received a scholarship from the Czechoslovak Ministry of Culture to attend the music conservatory in Prague. Steina and Woody Vasulka are pioneers of electronic and digital image production. Mar 20, 2022 · Art Of Memory: Steina E Woody Vasulka Topics Vasulkas, video, Art Of Memory, writings Collection vasulka-archive; additional_collections Item Size 1. . org - VasulkaarchiveWorks by Steina Works by Woody Catalogues Video Work The Kitchen 1971-73 Vasulka Archive Sitemap Contact 斯坦娜和伍迪·瓦苏尔卡 Woody Vasulka（左） Steina Vasulka（右） Steina Vasulka （1940年出生于 Steinunn Briem Bjarnadottir ）和 Woody Vasulka （生于1937年1月20日至2019年12月20日生于 BohuslavVašulka ）是 视频艺术 的早期开拓者，自1960年代初以来一直在制作工作。 Steina, born Steinunn Briem Bjarnadottir, in Iceland in 1940, lives in Santa Fe, New Mexico. , settling in New York City. Made documentary films in Algeria, Iceland, and Czechoslovakia. Steina Vasulka (born Steinunn Briem Bjarnadottir in 1940) [1] and Woody Vasulka (born Bohuslav Vašulka on 20 January 1937 [2] – 20 December 2019 [3]) are early pioneers of video art, and have been producing work since the early 1960s. Steina and Woody Vasulka SteinaVasulka Born in Reykjavik, Iceland. org - VasulkaarchiveWorks by Steina Works by Woody Catalogues Video Work The Kitchen 1971-73 Vasulka Archive Sitemap Contact Early Documentary Participation, 1969-71, by Steina and Woody Vasulka, 60 min. 1970 Woody and Steina began Steina and Woody Vasulka Vasulka. com and invite you to a screening of works by the Vasulkas – Resonant Memory: Works by Steina and Woody Vasulka, which will take place on Saturday, the 1st of November 2025, in collaboration with e-flux in New York. He died on 20 December 2019 in Santa Fe, New Mexico, USA. In 1970, Steina and Woody Vasulka presented their first experiments with video and organized informal talks at the studio space that they occupied on 14th Street in New York. Steina - Machine Vision - Technical Descriptionarticles / notes technical description photo documentation movie Coincidentally, a series weathered by time and natural forces, Lucifer’s Commission (Iris Print Series 1977-2003) is the title of Woody Vasulka’s series of abstract images that started as film-printed stencils for electronic circuits, later rescued by the artist at a military junkyard in Los Alamos. Oct 26, 2024 · We would like to inform you about the publication of Woody Vasulka's text on e-flux. However, Steina quickly became Steina and Woody Vasulka Vasulka. In 1964 she joined the Icelandic Symphony Orchestra. Using computers and electronic synthesizers, often without cameras, the Vasulkas have extended the Accompanying the related exhibition at the List Visual Arts Center, and the Buffalo AKG Art Museum, Steina brings renewed recognition to Steina (b. They enjoy embracing the Steina Vasulka was born Steinunn Briem Bjarnadottir in Reykjavik, Iceland, in 1940. Gundlach BuildingAbout the Catalogue Accompanying the exhibition at MIT List Visual Arts Center and Buffalo AKG Art Museum, is a brand new monograph, Steina, that brings renewed recognition to the artist, tracing her oeuvre from early collaborative works with her partner Woody Vasulka to her independent explorations of optics and a liberated, non-anthropocentric subjectivity. Steina Vasulka was born (as Steinunn Bjarnadottir) in Reykjavik in 1940. Works by Steina Works by Woody Catalogues Video Work The Kitchen 1971-73 Vasulka Archive Sitemap Contact click to play See full list on monoskop. Along with his colleague and life companion, Steina, Woody Born and raised in Iceland, Steina studied music and composition in Reykjavík and followed her studies to the Music Conservatory in Prague, the city where she met her life partner, Woody Vasulka. For Steina and Woody Vasulka, Oct 19, 2017 · In 1978, Curator Linda Cathcart organized an exhibition of Steina and Woody Vasulka ’s work at the Albright-Knox. Woody Vasulka's work participates in the modernist desire for the auto-referential, the laying bare, and the search for an axiomatic and foundational structure, while constantly acknowledging the messiness of the lived world. Woody and Steina Vasulka were early pio-neers in this movement, working first out of NewYork City where they founded the alter-native exhibition space,The Kitchen, in 1971, later in Buffalo, N. Their history with video dates back to the late 60 ́s when they lived and worked in New York. happening at e-flux, Brooklyn, NY on Sat, 01 Nov, 2025 at 02:00 pm. This free screening focuses on Steina & Woody Vasulka ’s lifelong commitment to archiving, experimentation with the electronic signal, and performance of memory. la sua complessa struttura b di-visa in sette parti: un'introduzione, sorretta net secondo Home Collection Steina and Woody Vasulka fonds Machine Vision, 1975- Please wait a few moments while we process your request A screening of five works by Steina and Woody Vasulka, followed by a conversation with Robyn Farrell, Ingibjörg Jónsdóttir, Kristín Scheving. In their ongoing dialogue with machines – from cathode-ray televisions to digital computer systems – they consider the electronic signal as artistic medium. Purchased jointly by The Museum of Modern Art, New York (The Jill and Peter Kraus Media and Performance Acquisition Fund); Tate, London with funds provided by Tate Americas Foundation; San Francisco Museum of Modern Art (Accessions Committee Woody Vasulka THE BROTHERHOOD A Series of Six Interactive Media Constructions NTT InterCommunication Center Fall 1998 Tokyo, Japan 120 Pages, Color (PDF, 26 MB) or in parts: Translocations, Automata, Friendly Fire, Stealth, Scribe, The Maiden Steina & Woody Vasulka Video Works ICC Collection July 16,1998 60 Pages (PDF, 7 MB) Steina and Woody Steina and Woody Vasulkas Circuit Riders By Robert A. Studied violin at Music School in Reykjavik and The Conservatory of Music in Prague. The rise of technological art forms, however, has raised questions about the act of collaboration with the machine . S. 1940, Iceland), tracing her oeuvre from early collaborative works with her partner Woody Vasulka to her independent explorations of optics and a liberated, non-anthropocentric subjectivity. ’ — monoskop Jun 6, 2025 · This free screening features three 30-minute programs—STEINA, TRANSFORMATIONS, and MATRIX—that Steina and Woody Vasulka produced for a series called VASULKA VIDEO that aired as part of a 1978 artist residency with WNED, Buffalo, Toronto Public Media's local PBS station. She has been a seminal force in the development of the electronic arts since 1970. 1983, 44 :55 min . Fortemente influenzato dalle ricerche dell, avanguardie storiche europee maanche se- gnatodal climaasfittico edalle delusioniideologichee politiche net paesenatale, Woody Vasulka ha studiato ingegneria e cinema (si e diplomats ally Scuola Cinernatografica di Praga), cominciando a The Vasulka Chamber Center for New Media Art is a research center within the National Gallery of Iceland, dedicated to the study, collection, and display of video, digital, audio, and multimedia art in Iceland. Steina and Woody Vasulka Vasulka. Sometimesshe records the ground track in reverse motion, which, in her musical terminology, "breaks the line" (the linear progression) and makes it Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Dec 23, 2019 · Woody Vasulka, the trailblazing artist, filmmaker, and educator who cofounded the experimental New York–based nonprofit the Kitchen with his partner, Steina Vasulka, in 1971, died on December 20. In 1964 she joined the lceland Symphony Orchestra. W Steina, Woody Vasulka. Purchased jointly by The Museum of Modern Art, New York (The Jill and Peter Kraus Media and Performance Acquisition Fund); Tate, London with funds provided by Tate Americas Foundation; San Francisco Museum of Modern Art (Accessions Committee Fund purchase); and KLE013_11; Woody and Steina Vasulka - Made for Broadcast; Steina and Woody Vasulka- Matrix, Vocabulary, Transformations, Objects, Steina, Digital Images; 1981; page (s) 1; 71k; Now Playing: Woody & Steina Vasulka By Malln Wilson Wen Steina and WoodyVasulka, two of the world's most active and famous, even infamous, video artists, were asked how they came to call Santa Fe home, their answers were utterly different. 1974. It was precisely in the mid-sixties when the Japanese firm Sony launched its Portapak unit, the first camera recorder to be carried and controlled by STEINA: “When a human being operates the camera, the assumption is that the camera is an extension of the eye. The publication Dialogue with the Demons of Instruments - Steina and Woody Vasulka is the only monographic publication to date that evaluates the work of these two artists, who significantly influenced the beginnings of video art and the development of electronic art. And does it exist outside our concern, like the intelligence in nature?" The result, Vasulka Video, is innovative and informative television. 4M The fonds highlights Steina and Woody Vasulka's contribution to defining a formal vocabulary specific to electronic images as well as the couple's pioneering role in the field of computer-assisted video. They emigrated to the United States in 1965 and both have been Guggenheim Fellows. Some have called them the grandparents of the “YouTube generation”, others: “grandparents of video art”, seem USA - SANTA FE, NM 87501 Geneva, June 12, 1990 Dear Steina and Woody Vasulka, We have the pleasure of informing you that your video work "VOICE WINDOWS" has been shown on 24 March 90 at the "Maison Pour Tous" of Annemasse in a video festival called "VIDEO LA WOODY VASULKA STEINA VASULKA (cont. Taking astonishingly beautiful images of the natural landscape of her native Iceland as the base for the visual material, she has manipulated images and layered sound to construct dense layers and multiple perspectives that fuse the Jan 1, 2020 · The video artist Woody Vasulka with his wife and collaborator, Steina, in 1972 at the Kitchen, the Manhattan performance space they founded. "Is it out-side our concern. 24:18 min. Woody Vasulka talks about moving to New York in the 1960s, Steina's musical practice, his early work and education in cinema, Nam June Paik, the post war avant-garde, poetry, literature, transformation of values and popular culture. In one compositional strategy, Steina begins by assembling a long single channel segment which represents the "melody," or what she calls the "ground track. Steina was born in Iceland and Woody was born in Czechoslovakia. org While pursuing his studies, Woody also wrote poetry, played jazz trumpet and produced short films. She trained as a violinist in Reykjavik and Prague, and emigrated to New York City in 1965 with her life partner, Woody Vasulka. Steina's Alluision (1976) participates in a different way with the machine-person interaction . Studied at Film Academy, Prague. Through their newly arrived eyes, the alternative movements of American culture presented unlimited Bio: Steiaa was born in Iceland and was trained in the violin and music! theory. WoodyVasulka, cecoslovacco (1937) e Steina, islandese (1940), vivono e lavorano negli Stati Uniti dal 1965. We use our own and third-party cookies to personalize your experience and the promotions you see. She currently lives in Santa Fe, New In BOREALIS, Steina uses projectors, translucent screens and split beam mirrors to create a magical environment of free-standing self-illuminated moving imagery. [1] The video switches Mar 14, 2025 · Jeffrey E. Programmed and distributed by Media Study/Buffalo, op. After moving to the United States in 1965 she Steina and Woody Vasulka began working in the pioneering days of video art in the 196os and 1970s, when artists interested in the medium were largely concerned with the social and political implications of television. The NTT InterCommunication Center commissioned this work for the exhibit Woody Vasulka: The Brotherhood Exhibition held at this centre in Tokyo, Japan, in July 1998. Steina BRIEF BIOGRAPHY Steina was born in Reykjavik, Iceland, in 1940. In 1965 the Vasulkas emigrated to the U. 1970–1972. Haller To listen to Steina and Woody Vasulka discussing their video work-and to look at it-is to encounter a form of television utterly unlike what "television" usually means . When the Vasulka Chamber was founded in late 2014, they gave a big part of their archives to the Icelandic National Gallery for preservation, original art works, sketch books, documentary films, a collection of books, photographs Woody Vasulka studied engineering at the Industrial Engineering School in Brno and at the Film Faculty at Academy of Performing Arts (FAMU), in Prague in the 1950s and 1960s. Mar 19, 2022 · Born 1940 in Iceland Moved to United States in 1965 Study 1959-63 Music Conservatory, Prague Steina joined the Icelandic Symphony Orchestra in 1946, and moved to the United States the following year. 8:24 min. Later in 2015 the Vasulka Kitchen, a center for new media art in in Brno, Woody’s hometown was founded, dedicated to preserving the legacy of the artist, who passed in December 2019. Applying for the first time his complex imaging codes to a narrative, Woody explores issues of art-making and sacrifice in this electronic opera . "What is intelligence?," he said. With Woody Vasulka, she has won numerous awards; their collaborative works have been widely exhibited internationally (see Steina and Woody Vasulka) . However, Steina quickly became In 1985, Steina Vasulka collaborated with singer Joan La Barbara on a series of interactive compositions for which I designed the interactive media components . org - VasulkaarchiveBrowse the sitemap: Works by Steina Works by Woody Catalogues Video Work The Kitchen 1971-73 Vasulka Archive Site Map Vasulkas Tapes in Distributionsort by: Dec 8, 2020 · The Vasulka Chamber is a collaboration with Steina and Woody Vasulka, and includes a part of the Vasulkas’ archive. Steina received a scholarship at the Prague Conservatory in 1959. Selection from unique documentaries about The Vasulkas provides an insight into Steina and Woody's “practical philosophy” as well as their living… Discover and purchase Steina and Woody Vasulka’s artworks, available for sale. org, the Vasulka Chamber maintains research materials relating to the life and work of Steina and Woody "Woody Vasulka studied engineering at the Industrial Engineering School in Brno and at the Film faculty at Academy of Performing Arts (FAMU) in prague in the 1950s and 1960s. ) learned the principles of generating and processing images, having access to internal structuring of the video signal itself. May 24, 2017 · It is not easy to encompass the career of Steina and Woody Vasulka and boil it down to few lines, as extensive and varied as their field has been for more than fifty years from when they started their collaboration in the domaine of the video. Played in Icelandic Symphony Orchestra and free-lanced in New York. (1) Marita Sturken cited from Matrix 1970-72 (six loops of horizontal movement) Steina and Woody Vasulka (Description and technical data sheet of the video installation Matrix, January 9, 1995) n. The VASULKAS / Steina: Machine Vision, Woody: Descriptions featured many of their most important works to date, including Steina’s Machine Vision and Allvision —sensory-oriented video installations that suggested the hybridization of human and robotic forms—and Woody’s Still image from the 1974 video "Noisefields" by Steina and Woody Vasulka " Noisefields " is a 1974 video by the collaborative duo Steina and Woody Vasulka, considered an important example of early formal and technical experimentation with analog video. As phenomenological exercises on the construction of electronic image and sound, this series is also a playful study of Woody Vasulka, Steina. Courtesy the artists and Vasulka Chamber, the National Gallery of Iceland Another notable work is ‘Machine Vision’; in the centre of the room are several optical devices, which then display their live recordings onto several TV monitors. This catalog is illustrated with color and B&W photographs of the Vasulka's video artwork. Icelandic filmmaker Hrafnhildur Gunnarsdóttir’s extraordinarily warming 2019 documentary The Vasulka Effect, about the protean Euro-hippies and rightfully dubbed “grandparents of video art,” Steina and Woody Vasulka, was exactly the movie I needed to see this winter. Matrix I. She met Woody Vasulka in Prague in the early 1960s, married, and moved to New York City in 1965 Oct 5, 2024 · Steina Vasulka was born in Reykjavík, Iceland and trained as a classical musician and violinist and was a member of the Iceland Symphony Orchestra. In Steina and Woody Vasulka : Exploring the Phenomenology of the Electronic Image Marita Sturken The machine has constituted an important subject for artists since the industrial revolution . Camera : Steina . The Vasulkas introduce and contextualize their work and processing techniques, providing invaluable insights into their groundbreaking experiments with electronic image and sound manipulation. He was a director and cinematographer, known for Art of Memory (1987), Evolution (1969) and Noisefields (2016). Steina Vasulka was born in Reykjavík, Iceland, and trained as a classical musician and violinist, and was a member of the Iceland Symphony Orchestra. Guest-curated by Peter Sit. She started working in video with Woody Vasulka in 1969. He immigrated to New York in 1965. , p. Awash in Nordic echoes even as it confronts the modern realities of art-gallery politics and the John Minkowsky, "Five Tapes—Woody and Steina Vasulka" in Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers. Steina Vasulka, above, & Woody Vasulka, right Images from 'Machine Media,'electronic media and art themes exhibition at the Museum of Fine Arts And to broach the existence of non-human forms of intelligence. Register or Buy Tickets, Price information. Contents are broken into the following sections: Foreword, The VASULKA's: Digital Art's Agenda-Setters, Steina Vasulka's Works (Violin Power, Flux, Selected Works, Selected Treecuts, Cantaloup, Voice Windows, Lilith, A So Desu Ka, Pyroglyphs, and Orka), Seina & Woody This exhibition includes 32 of the VASULKAs videoworks, from Steina VASULKA's record of her 1970's performance repertoire «Violin Power» (1970-78) to Woody VASULKA's KArt of Memory*, and represents a retrospective of their numerous experiments. He immigrated to New York in 1965, Since 1969 he has been working primarily with the new medium of video researching the structures of the electronic image. With Robert Ashley, Ernest Gusella, Cosimo Corsano, Ben Harris, Andrea Harris, David Ossman . Daniel Langlois Foundation, Steina and Woody Vasulka Fonds, VAS B4-C10. Matrix II. Woody and Steina married in Prague in 1964, and shortly thereafter she joined the Icelandic Symphony Orchestra. " She makes three copies of it and inserts new images into each channel as accompaniment. Standard-definition video (color, sound), one to twelve cathode-ray tube monitors. He was… Jul 31, 2018 · Steina (born 1940, Reykjavík) and Woody Vasulka (born 1937, Brno) are pioneers of electronic and digital image production. Cantaloup, 1980. She studied at the Music Conservatory in Prague, 1959-63, and emigrated to the United States in 1965. [1] It runs for twelve minutes and five seconds and materially visualizes the deflected energy of an electronic signal. Born and raised in Iceland, Steina studied music and composition in Reykjavík and followed her studies to the Music Conservatory in Prague, the city where she met her life partner, Woody Vasulka. In 1971 they also organized The Steina & Woody Vasulka Steina Born 1940 in Iceland Moved to United States in 1965 Study 1959-63 Music Conservatory, Prague Steina joined the Icelandic Symphony Orchestra in 1946, and moved to the United States the following year. Y, and more recently in Santa Fe, where they now produce their extraordinary video and computer-driven imagery and installations, breathtaking as much for the imagery as for the unexpected feats into Steina (born 1940, Reykjavík) and Woody Vasulka (born 1937, Brno) are pioneers of electronic and digital image production. She received a scholarship in 1959 to study at the Prague Conservatory, where she met Woody Vasulka. Woody Vasulka Born in Czechoslovakia . , color, stereo sound . A decisive tool in our early collection was a sound synthesiser (Putney) which pointed us in the direction in sound and image generation and in a mutual inter-change-ability of both . There they were instrumental in establishing the New York video art scene as co-founders in 1971 of The Kitchen, the seminal experimental video and performance venue that exists to this day. You move the camera the way you move the head and the body. She has exhibited extensively nationally and abroadi Her video work is distributed by New York based Electronic Arts Intermix. Larry C. With Woody Vasulka, she has won numerous awards; their collaborative works have been widely exhibited internationally (see Steina and Woody Vasulka). Browse our selection of paintings, prints, and sculptures by the artist, and find art you love. Still from video, 22:56 min. He was married to Steina Vasulka. fbx9w osmv dodfq7 owq i3iguc 6158a 9dhjtgo q89h h3 clf